From Monica: When a movie ends, do you stay for the credits? Not the cutscene at the end, Marvel. But do you actually read the scroll of names that represent the hundreds of people who worked to bring that project to theaters? Or, if you tuned in at home, the nature of television flow means that usually these credits are cut off to keep programming on schedule— slipping seamlessly into the next air slot designed to keep people watching, or squished and sped up in the bottom half of your screen. Streaming platforms give you ten seconds before your next episode binge pops up. By design, the labor that creates our media is presented as invisibly as possible. Perhaps it helps us buy into the narrative more, to forget that...
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Call For Comments: All of the Marvels
From Wayne: As a comics retailer for twenty-three years, one of the questions I was asked most frequently by new readers of Marvel Comics was, ‟Where do I begin?” It’s a fair question. With decades of history, thousands of characters, and tens of thousands of pages of intertwined stories and continuity it can be more…
e178. Pop History vs. Public History
How do we learn history? The easy answer is to say we learn it from history books, but is that true? How many of us ever read a history book after 10th grade? It’s more likely that we get the majority of our history either from museums or from historic entertainment… things like Hamilton… or,…
CFC: Improv in the Living Room
From Mav: Way back in April — which granted, wasn’t actually that long ago, but in the world of COVID, feels like a lifetime — we did a show about how stand-up comedy works in a world where everyone’s socialization is socially distant. Since that time, the world got a little better and then a…
e175. Game Studies: Ludology vs. Narratology
We don’t talk about games as much as we should on this show, but arguably they’re one of the most enduring mediums of popular culture. They’re certainly one of the most popular. There’s much comparison of modern video games to movies. This makes sense… if we want people to consider games to be a legitimate…
CFC: Pop vs. Public History — Why Do We Love Nonfiction?
From Monica: I want to talk about Seabiscuit. Being an archetypal precocious horse girl, at age 9 Laura Hillenbrand’s Seabiscuit (1999) was the first nonfiction book I remember reading. It was the first time I was conscious of the popular weight attributed to the New York Times bestseller list, and for once my childhood interests…
Call For Comments: Let’s Talk About Film Unions
September 17, 2021
From Monica: When a movie ends, do you stay for the credits? Not the cutscene at the end, Marvel. But do you actually read the scroll of names that represent the hundreds of people who worked to bring that project to theaters? Or, if you tuned in at home, the nature of television flow means…